The
capital of the Ottoman empire, Constantinople, was located on two continents.
Therefore the artistic style that developed under the Ottomans shows elements
of the eastern and western heritage. One of the most influential
buildings in the development of the Ottoman mosque
is the Hagia Sophia. This structure was a magnificent Christian church
which was converted into a mosque. (It originally did not have minarets).
One of the most impressive features of the church was its immense dome
which gave a sense of grandeur because of the space it created. Such
a great dome had never been built and this inspired an architect, by the
name of Sinan, to build for Islam a dome that
would surpass the Christian dome.
Sinan came to the court of Selim I (r. 1512-20) through a system that
took Christian boys from their homes and raised as Muslims loyal to the
sultan. He was thus a member of the
Janissary, a military organization working for the protection
of the ruler. But Sinan is remembered more for his role as of director
of building. Sinan travelled extensively so he was able to draw from
many traditions in his building designs.
Sinan's
patron, Suleyman, (who succeeded Selim I) considered himself the second
Solomon (an ancient king known for his greatness) and therefore required
equally magnificent buildings. The mosque that Sinan built became
the classic style for the Ottoman period. The Suleymaniye, built
in 1557 in Constantinople, was more than a mosque alone. It was a
complex of buildings including schools, baths, soup kitchens and shops.
The mosque itself is similar to the Hagia Sophia with its central dome
over a plain worship space. Mosques such as this were a symbol of
power and might as they were paid for by the spoils of war.
Sinan's masterpiece, the Selimiye Mosque at Edirne (two views below),
was constructed in 1574. Here the plan of the building reaches perfection.
The plan of the mosque no longer depends on the rectangular shape of the
Christian basilica seen in the Hagia Sophia. The dome is placed above
a square so there are no columns to obstruct the view of the qibla
wall. The effect is an interior that is light and airy. It
was here that Sinan felt he had surpassed the Hagia Sophia.
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