| A
Rose for Emily
When Miss Emily Grierson died, our whole town went
to her funeral: the men through a sort of respectful
affection for a fallen monument, the women mostly
out of curiosity to see the inside of her house, which
no one save an old manservant--a combined gardener
and cook--had seen in at least ten years.
It was a big, squarish frame house that had once
been white, decorated with cupolas and spires and
scrolled balconies in the heavily lightsome style
of the seventies, set on what had once been our most
select street. But garages and cotton gins had encroached
and obliterated even the august names of that neighborhood;
only Miss Emily's house was left, lifting its stubborn
and coquettish decay above the cotton wagons and the
gasoline pumps--an eyesore among eyesores. And now
Miss Emily had gone to join the representatives of
those august names where they lay in the cedar-bemused
cemetery among the ranked and anonymous graves of
Union and Confederate soldiers who fell at the battle
of Jefferson.
Alive, Miss Emily had been a tradition, a duty, and
a care; a sort of hereditary obligation upon the town,
dating from that day in 1894 when Colonel Sartoris,
the mayor--he who fathered the edict that no Negro
woman should appear on the streets without an apron--remitted
her taxes, the dispensation dating from the death
of her father on into perpetuity. Not that Miss Emily
would have accepted charity. Colonel Sartoris invented
an involved tale to the effect that Miss Emily's father
had loaned money to the town, which the town, as a
matter of business, preferred this way of repaying.
Only a man of Colonel Sartoris' generation and thought
could have invented it, and only a woman could have
believed it.
When the next generation, with its more modern ideas,
became mayors and aldermen, this arrangement created
some little dissatisfaction. On the first of the year
they mailed her a tax notice. February came, and there
was no reply. They wrote her a formal letter, asking
her to call at the sheriff's office at her convenience.
A week later the mayor wrote her himself, offering
to call or to send his car for her, and received in
reply a note on paper of an archaic shape, in a thin,
flowing calligraphy in faded ink, to the effect that
she no longer went out at all. The tax notice was
also enclosed, without comment.
They called a special meeting of the board of aldermen.
A deputation waited upon her, knocked at the door
through which no visitor had passed since she ceased
giving china-painting lessons eight or ten years earlier.
They were admitted by the old Negro into a dim hall
from which a stairway mounted into still more shadow.
It smelled of dust and disuse--a close, dank smell.
The Negro led them into the parlor. It was furnished
in heavy, leather-covered furniture. When the Negro
opened the blinds of one window, they could see that
the leather was cracked; and when they sat down, a
faint dust rose sluggishly about their thighs, spinning
with slow motes in the single sunray. On a tarnished
gilt easel before the fireplace stood a crayon portrait
of Miss Emily's father.
They rose when she entered--a small, fat woman in
black, with a thin gold chain descending to her waist
and vanishing into her belt, leaning on an ebony cane
with a tarnished gold head. Her skeleton was small
and spare; perhaps that was why what would have been
merely plumpness in another was obesity in her. She
looked bloated, like a body long submerged in motionless
water, and of that pallid hue. Her eyes, lost in the
fatty ridges of her face, looked like two small pieces
of coal pressed into a lump of dough as they moved
from one face to another while the visitors stated
their errand.
She did not ask them to sit. She just stood in the
door and listened quietly until the spokesman came
to a stumbling halt. Then they could hear the invisible
watch ticking at the end of the gold chain.
Her voice was dry and cold. "I have no taxes
in Jefferson. Colonel Sartoris explained it to me.
Perhaps one of you can gain access to the city records
and satisfy yourselves."
"But we have. We are the city authorities, Miss
Emily. Didn't you get a notice from the sheriff, signed
by him?"
"I received a paper, yes," Miss Emily said.
"Perhaps he considers himself the sheriff....
I have no taxes in Jefferson."
"But there is nothing on the books to show that,
you see. We must go by the--"
"See Colonel Sartoris. I have no taxes in Jefferson."
"But, Miss Emily--"
"See Colonel Sartoris." (Colonel Sartoris
had been dead almost ten years.) "I have no taxes
in Jefferson. Tobe!" The Negro appeared. "Show
these gentlemen out."
So SHE VANQUISHED them, horse and foot, just as she
had vanquished their fathers thirty years before about
the smell. That was two years after her father's death
and a short time after her sweetheart--the one we
believed would marry her--had deserted her. After
her father's death she went out very little; after
her sweetheart went away, people hardly saw her at
all. A few of the ladies had the temerity to call,
but were not received, and the only sign of life about
the place was the Negro man --a young man then--going
in and out with a market basket.
"Just as if a man--any man--could keep a kitchen
properly," the ladies said; so they were not
surprised when the smell developed. It was another
link between the gross, teeming world and the high
and mighty Griersons.
A neighbor, a woman, complained to the mayor, Judge
Stevens, eighty years old.
"But what will you have me do about it, madam?"
he said.
"Why, send her word to stop it," the woman
said. "Isn't there a law?"
"I'm sure that won't be necessary, "Judge
Stevens said. "It's probably just a snake or
a rat that nigger of hers killed in the yard. I'll
speak to him about it."
The next day he received two more complaints, one
from a man who came in diffident deprecation. "We
really must do something about it, Judge. I'd be the
last one in the world to bother Miss Emily, but we've
got to do something." That night the board of
aldermen met--three greybeards and one younger man,
a member of the rising generation.
"It's simple enough," he said. "Send
her word to have her place cleaned up. Give her a
certain time to do it in, and if she don't. . ."
"Damn it, sir," Judge Stevens said, "will
you accuse a lady to her face of smelling bad?"
So the next night, after midnight, four men crossed
Miss Emily's lawn and slunk about the house like burglars,
sniffing along the base of the brickwork and at the
cellar openings while one of them performed a regular
sowing motion with his hand out of a sack slung from
his shoulder. They broke open the cellar door and
sprinkled lime there, and in all the outbuildings.
As they recrossed the lawn, a window that had been
dark was lighted and Miss Emily sat in it, the light
behind her, and her upright torso motionless as that
of an idol. They crept quietly across the lawn and
into the shadow of the locusts that lined thestreet.
After a week or two the smell went away.
That was when people had begun to feel really sorry
for her. People in our town, remembering how old lady
Wyatt, her great-aunt, had gone completely crazy at
last, believed that the Griersons held themselves
a little too high for what they really were. None
of the young men were quite good enough to Miss Emily
and such. We had long thought of them as a tableau;
Miss Emily a slender figure in white in the background,
her father a spraddled silhouette in the foreground,
his back to her and clutching a horsewhip, the two
of them framed by the backflung front door. So when
she got to be thirty and was still single, we were
not pleased exactly, but vindicated; even with insanity
in the family she wouldn't have turned down all of
her chances if they had really materialized.
When her father died, it got about that the house
was all that was left to her; and in a way, people
were glad. At last they could pity Miss Emily. Being
left alone, and a pauper, she had become humanized.
Now she too would know the old thrill and the old
despair of a penny more or less.
The day after his death all the ladies prepared to
call at the house and offer condolence and aid, as
is our custom. Miss Emily met them at the door, dressed
as usual and with no trace of grief on her face. She
told them that her father was not dead. She did that
for three days, with the ministers calling on her,
and the doctors, trying to persuade her to let them
dispose of the body. Just as they were about to resort
to law and force, she broke down, and they buried
her father quickly.
We did not say she was crazy then. We believed she
had to do that. We remembered all the young men her
father had driven away, and we knew that with nothing
left, she would have to cling to that which had robbed
her, as people will.
SHE WAS SICK for a long time. When we saw her again,
her hair was cut short, making her look like a girl,
with a vague resemblance to those angels in colored
church windows--sort of tragic and serene.
The town had just let the contracts for paving the
sidewalks, and in the summer after her father's death
they began the work. The construction company came
with riggers and mules and machinery, and a foreman
named Homer Barron, a Yankee--a big, dark, ready man,
with a big voice and eyes lighter than his face. The
little boys would follow in groups to hear him cuss
the riggers, and the riggers singing in time to the
rise and fall of picks. Pretty soon he knew everybody
in town. Whenever you heard a lot of laughing anywhere
about the square, Homer Barron would be in the center
of the group. Presently we began to see him and Miss
Emily on Sunday afternoons driving in the yellow-wheeled
buggy and the matched team of bays from the livery
stable.
At first we were glad that Miss Emily would have
an interest, because the ladies all said, "Of
course a Grierson would not think seriously of a Northerner,
a day laborer." But there were still others,
older people, who said that even grief could not cause
a real lady to forget noblesse oblige--without calling
it noblesse oblige. They just said, "Poor Emily.
Her kinsfolk should come to her." She had some
kin in Alabama; but years ago her father had fallen
out with them over the estate of old lady Wyatt, the
crazy woman, and there was no communication between
the two families. They had not even been represented
at the funeral.
And as soon as the old people said "Poor Emily,"
the whispering began. "Do you suppose it's really
so?" they said to one another. "Of course
it is. What else could . . ." This behind their
hands; rustling of craned silk and satin behind jalousies
closed upon the sun of Sunday afternoon as the thin,
swift clop-clop-clop of the matched team passed: "Poor
Emily."
She carried her head high enough--even when we believed
that she was fallen. It was as if she demanded more
than ever the recognition of her dignity as the last
Grierson; as if it had wanted that touch of earthiness
to reaffirm her imperviousness. Like when she bought
the rat poison, the arsenic. That was over a year
after they had begun to say "Poor Emily,"
and while the two female cousins were visiting her.
"I want some poison," she said to the druggist.
She was over thirty then, still a slight woman, though
thinner than usual, with cold, haughty black eyes
in a face the flesh of which was strained across the
temples and about the eye sockets as you imagine a
lighthouse keeper's face ought to look. "I want
some poison," she said.
"Yes, Miss Emily. What kind? For rats and such?
I'd recoin--"
"I want the best you have. I don't care what
kind."
The druggist named several. "They'll kill anything
up to an elephant. But what you want is--"
"Arsenic," Miss Emily said. "Is that
a good one?"
"Is . . . arsenic? Yes, ma'am. But what you
want--"
"I want arsenic."
The druggist looked down at her. She looked back
at him, erect, her face like a strained flag. "Why,
of course," the druggist said. "If that's
what you want. But the law requires you to tell what
you are going to use it for."
Miss Emily just stared at him, her head tilted back
in order to look him eye for eye, until he looked
away and went and got the arsenic and wrapped it up.
The Negro delivery boy brought her the package; the
druggist didn't come back. When she opened the package
at home, there was written on the box, under the skull
and bones: "For rats."
SO THE NEXT DAY we all said, "She will kill
herself"; and we said it would be the best thing.
When she had first begun to be seen with Homer Barron,
we had said, "She will marry him." Then
we said, "She will persuade him yet," because
Homer himself had remarked--he liked men, and it was
known that he drank with the younger men in the Elks
Club--that he was not a marrying man. Later we said
"Poor Emily" behind the jalousies as they
passed on Sunday afternoon in the glittering buggy,
Miss Emily with her head high and Homer Barron with
his hat cocked and a cigar in his teeth, reins and
whip in a yellow glove.
Then some of the ladies began to say that it was
a disgrace to the town and a bad example to the young
people. The men did not want to interfere, but at
last the ladies forced the Baptist minister--Miss
Emily's people were Episcopal--to call upon her. He
would never divulge what happened during that interview,
but he refused to go back again. The next Sunday they
again drove about the streets, and the following day
the minister's wife wrote to Miss Emily's relations
in Alabama.
So she had blood kin under her roof again and we
sat back to watch developments . At first nothing
happened. Then we were sure that they were to be married.
We learned that Miss Emily had been to the jeweler's
and ordered a man's toilet set in silver, with the
letters H.B. on each piece. Two days later we learned
that she had bought a complete outfit of men's clothing,
including a nightshirt, and we said, "They are
married." We were really glad. We were glad because
the two female cousins were even more Grierson than
Miss Emily had ever been.
So we were not surprised when Homer Barron--the streets
had been finished some time since--was gone. We were
a little disappointed that there was not a public
blowing-off, but we believed that he had gone on to
prepare for Miss Emily's coming, or to give her a
chance to get rid of the cousins. (By that time it
was a cabal, and we were all Miss Emily's allies to
help circumvent the cousins.) Sure enough, after another
week they departed. And, as we had expected all along,
within three days Homer Barron was back in town. A
neighbor saw the Negro man admit him at the kitchen
door at dusk one evening.
And that was the last we saw of Homer Barron. And
of Miss Emily for some time. The Negro man went in
and out with the market basket, but the front door
remained closed. Now and then we would see her at
a window for amoment, as the men did that night when
they sprinkled the lime, but for almost six months
she did not appear on the streets. Then we knew that
this was to be expected too; as if that quality of
her father which had thwarted her woman's life so
many times had been too virulent and too furious to
die.
When we next saw Miss Emily, she had grown fat and
her hair was turning gray. During the next few years
it grew greyer and greyer until it attained an even
pepper-and-salt iron gray, when it ceased turning.
Up to the day of her death at seventy-four it was
still that vigorous iron gray, like the hair of an
active man.
From that time on her front door remained closed,
save for a period of six or seven years, when she
was about forty, during which she gave lessons in
china painting. She fitted up a studio in one of the
downstairs rooms, where the daughters and granddaughters
of Colonel Sartoris' contemporaries were sent to her
with the same regularity and in the same spirit that
they were sent to church on Sundays with a twenty-five-cent
piece for the collection plate. Meanwhile her taxes
had been remitted.
Then the newer generation became the backbone and
the spirit of the town, and the painting pupils grew
up and fell away and did not send their children to
her with boxes of color and tedious brushes and pictures
cut from the ladles' magazines. The front door closed
upon the last one and remained closed for good. When
the town got free postal delivery, Miss Emily alone
refused to let them fasten the metal numbers above
her door and attach a mailbox to it. She would not
listen to them.
Daily, monthly, yearly we watched the Negro grow
greyer and more stooped, going in and out with the
market basket. Each December we sent her a tax notice,
which would be returned by the post office a week
later, unclaimed. Now and then we would see her in
one of the downstairs windows--she had evidently shut
up the top floor of the house--like the carven torso
of an idol in a niche, looking or not looking at us,
we could never tell which. Thus she passed from generation
to generation--dear, inescapable, impervious, tranquil,
and perverse.
And so she died. Fell ill in the house filled with
dust and shadows, with only a doddering Negro man
to wait on her. We did not even know she was sick;
we had long since given up trying to get any information
from the Negro. He talked to no one, probably not
even to her, for his voice had grown harsh and rusty,
as if from disuse.
She died in one of the downstairs rooms, in a heavy
walnut bed with a curtain, her grey head propped on
a pillow yellow and moldy with age and lack of sunlight.
The negro met the first of the ladies at the front
door and let them in, with their hushed, sibilant
voices and their quick, curious glances, and then
he disappeared. He walked right through the house
and out the back and was not seen again.
The two female cousins came at once. They held the
funeral on the second day, with the town coming to
look at Miss Emily beneath a mass of bought flowers,
with the crayon face of her father musing profoundly
above the bier and the ladies sibilant and macabre;
and the very old men--some in their brushed Confederate
uniforms--on the porch and the lawn, talking of Miss
Emily as if she had been a contemporary of theirs,
believing that they had danced with her and courted
her perhaps, confusing time with its mathematical
progression, as the old do, to whom all the past is
not a diminishing road but, instead, a huge meadow
which no winter ever quite touches, divided from them
now by the narrow bottleneck of the most recent decade
of years.
Already we knew that there was one room in that region
abovestairs which no one had seen in forty years,
and which would have to be forced. They waited until
Miss Emily was decently in the ground before they
opened it.
The violence of breaking down the door seemed to
fill this room with pervading dust. A thin, acrid
pall as of the tomb seemed to lie everywhere upon
this room decked and furnished as for a bridal: upon
the valence curtains of faded rose color, upon the
rose-shaded lights, upon the dressing table, upon
the delicate array of crystal and the man's toilet
things backed with tarnished silver, silver so tarnished
that the monogram was obscured. Among them lay a collar
and tie, as if they had just been removed, which,
lifted, left upon the surface a pale crescent in the
dust. Upon a chair hung the suit, carefully folded;
beneath it the two mute shoes and the discarded socks.
The man himself lay in the bed.
For a long while we just stood there, looking down
at the profound and fleshless grin. The body had apparently
once lain in the attitude of an embrace, but now the
long sleep that outlasts love, that conquers even
the grimace of love, had cuckolded him. What was left
of him, rotted beneath what was left of the nightshirt,
had become inextricable from the bed in which he lay;
and upon him and upon the pillow beside him lay that
even coating of the patient and biding dust.
Then we noticed that in the second pillow was the
indentation of a head. One of us lifted something
from it, and leaning forward, that faint and invisible
dust dry and acrid in the nostrils, we saw a long
strand of iron-grey hair. |