Whose Hands Are We In?

The quote Travis brought up today in class, should return to haunt us at the end of the novel:

"Oedipa wondered whether, at the end of this (if it were supposed to end), she too might not be left with only compiled memories of clues, announcements, initimations, but never the central truth itself..." (76).

Remember, to some extent, we will share Oedipa's fate. Will Pynchon provide us an end and if he does will we find ourselves on the path to a central truth, or will we find ourselves no more centered than when we first joined Oedipa's quest?

Before offering a few reading questions and supporting information, let me provide some instructions for the SCHEMATIC OUTLINE I would like you to email me and bring to class on Wednesday.

Schematic Outline (due emailed by 10 AM Wednesday; Bring hard copy to class)

This assignment prods you toward developing a thesis and paragraph outline for an analytical eesay about Pynchon's COL 49. To prepare for it, you should read carefully looking for patterns of images, ideas, words, characters, scenes, and symbols that interest you. As you juggle that pattern in your mind, look for a thematic idea--a comment on America, the human condition, or some other context or idea--that you think the text might be making. Your thesis will explicity link the pattern to the intepretation you make about it.

Write your thesis at the top of your page, and then identify at least 3 topic sentence ideas (they do not have to be complete sentences but they do have to link a specific example to your thesis). The list underneath your topic sentence ideas 3-5 quotes or examples that you will discuss in each paragraph.
Your Schematic draft should look something like this when you submit it (I use a Bradstreet thesis so that I do not steal any good topics or ideas about Pynchon from any of you).



Jim Sullivan

Schematic Outline: Pynchon Paper

Thesis: Through her frequent juxtaposition of images of earthly pleasure with the language of salvation, Anne Bradstreet exposes the vulnerability of an ideology that separates the flesh from the spirit.

1. In "Contemplations," the euphoria of Bradstreet's affection for nature magnifies the resigned quality of her testimonies to God's will.

  • quote / example 1 (include page number)
  • quote / example 2
  • quote / example 3

2. The sterile artificiality of the dialogue between the sisters in "Flesh and Spirit" underscores the impossiblity of separating these two inextricable aspects of our humanity.

  • quote / example 1 (include page number)
  • quote / example 2
  • quote / example 3

3. Although "Upon the Burning of Our House..." concludes with a submission to God's will, the poet's description of domestic joy she associates with her lost home implicity criticizes a theology that does not do justice to human love on earth.

  • quote / example 1 (include page number)
  • quote / example 2
  • quote / example 3

Back to the Text

Chapter five, the longest in the text, escalates in intensity from its predecessors. In it, Oedipa journey rapidly from event to event. You might productively compare it to other epic journeys in literature. This journey offers an ideal point for you to beign identifying patterns of images, incidents, words, and characters that interest you.
You should definitely read a little bit about entropy before jumping into the chapter (try my links to the Encyclopedia Britanica or bartleby.com). Through the idea of entropy, Pynchon explores the notion of closed systems of economics, communication, and love (or lack of it) in the terms of science and technology that rule our culture.

I was going to give you some guidance on chapter six, but I think I will let you explore on your own without my efforts to corrupt you (and the genius of your interpretation). I will say this, however. The way you read the ending will have a tremendous impact on the analytical angle you take in your essay. So take it slow and read the language carefully (and multiple times). We should have an interpretation extravaganza in class on Wednesday.

Preparing for Class

Please come to class prepared with scenes and quotes and patterns that interest you. I hope that each of you will provide some material for our interpretive efforts.

And remember, if you are confused by anything Pynchon, the schematic outline assignment, life, the question of who invented liquid soap and why, do not hesitate to email or call me and ask.